
Monday, 24 May 2010
London

Thursday, 20 May 2010
Sunday, 16 May 2010
Books update
Saturday, 8 May 2010
BOOKS FOR SALE!

As every member of BA (Hons) Graphic Design Yr3 classes up and down the country the end is very much in sight. Within 2 weeks the ladies and gentlemen in my class will be handing in all of their final projects and then cracking open some drinks in celebration. We can't spend all our time now patting each other on the back and telling everyone we love them and we're going to miss them. Soon the real world will be knocking on the door and in order to stop my real world experience not being one of "living on the streets" I have decided to sell some of my collection of design, illustration, art and photography books. There is tons of really great stuff here and I 100% gaurantee i am not trying to get rid of any books just because they suck, but purely because I feel that there are others who will appreciate them a lot more than I do.
Thursday, 29 April 2010
Friday, 23 April 2010
MISTD

Wednesday, 21 April 2010
Snask sweet Snask
Monday, 19 April 2010
Day ?: Snask Vs. Super Volcano




Tuesday, 13 April 2010
Day 7: Snask down, Snask to go

Can you believe I have been in Stockholm for one week tonight? You can? Weird, because I can't. Time flies, as they say, when you're having fun. Today I think i learnt more in ten minutes than I have in the past year. I wish I was kidding. It fried my brain so i had to go home from the studio, but tomorrow i will be going at it full-tilt. Tack så mycket Freddie!
Sunday, 11 April 2010
Day 4, 5 & 6: Tired & frustrated. Am I a designer yet?



Friday marked my first weekend in Stockholm! So logically I decided to catch the train out of Stockholm C to the very small little village of Knivsta to visit my good friend Sofie. Knivsta translates, literally, as Knifetown. There are ghettos in Hackney which don't even get nicknamed Knifetown. Needless to say it was very quiet and everyone was very friendly and stabbing each other was probably the last thing on their minds. Saturday night we went to Uppsala to party and hand a grand old time. Uppsala will always have an awesome, drunk little place in my heart ever since I visited last summer.
Thursday, 8 April 2010
Day 2 & 3: Roses are red, violets are Snask.




Yesterday was quite a quiet day helping Mike come up with ideas for the Malmofestivalen films. This was fun, but i have never done anything remotely animated before and Mike is basically a pro, so i think my role was mostly moral support. Hanna's job was to read "tellmewhy" by KarlssonWilker (a classic, and judging by the amazon marketplace value, also a design antique). When all of this hard work was done, it was time to drink beer and play ps3 on the huge fucking projector wall. I was introduced to Oskar, who is great, and makes music videos and adverts. For nearly two whole days he thought I was a client and not an intern. Thanks Oskar! It is safe to say that life at Snask is pretty sweet. We then rode the subway, ate some burgers and went to Pluto, which is a top secret members only kind of bar/venue to see Erik's friend's band, who were actually pretty good, especially if you like Can, Liquid Liquid, Silver Apples or LCD Soundsystem etc. Erik agreed with me that "Washing Machine" by Sonic Youth is their best record (we're right).
Tuesday, 6 April 2010
Day 1: Snask Down

Today was day 1 at wonderful Snask in Stockholm. Above is a sly photo i took and as you can see everyone is hard at work. I met some really, really awesome people today, not all of whos names I can remember, but some of which are called: Freddie, Michael, Hanna, Erik, Magnus and Daniel. Right now Snask is working on this years identity system for Malmo Festival, and me and Michael (the super-intern) have been assigned the top secret mission of coming up with ideas for some short films for the festival. I will say no more (otherwise Magnus will kill me in my sleep) but i will say that Michael clearly knows what he is doing, not least because he did this:
Sunday, 4 April 2010
Snask's Away!
Thursday, 1 April 2010
Musical Interlude: Memoryhouse "Lately (Deuxième)"
Memoryhouse - Lately from Jamie Harley on Vimeo.
Tuesday, 30 March 2010
New Work!: One night, two gigs, two posters.

Pow! Right in the kisser! In one night i managed to do two posters and i'm pretty pleased with that. The top image is for The Lucid Dream & Black Market Karma gig at The Source in may (put on by the good people of Holy Are You) and the second is for the Vivian Girls gig at the Brooklyn Bowl which was actually last night. The idea behind that poster is a sort of punk-meets-cops-meets-stalker clippings collected about the mysterious behaviour of a mysterious band. I also wanted this one to be deliberately a little on the experimental side. If you click here to view the large size image on my Flickr you can read the copy and hilarious jokes i added in. I enjoyed getting a chance to go back and do some of my lo-fi punk and psych influenced work that i've not really done much of for a while now (a post about two great designers in that area will be coming soon, hold tight!)
Friday, 26 March 2010
Thursday, 25 March 2010
Wednesday, 24 March 2010
Musical Interlude: The Besnard Lakes "albatross"
Monday, 22 March 2010
Friday, 19 March 2010
Gordon

Wednesday, 17 March 2010
Tuesday, 16 March 2010
Birds & Bee

Logorama!
Monday, 15 March 2010
New Work: The Secret History of Free Market Capitalism

"As designers we are gifted with skills and opportunities that allow us to communicate with a great number of people. This gift should not just be confined to projecting brand values or persuading consumers to purchase products, but instead to give everyone the possibility to engage with politics, thought, debate and ideology. Design with a conscience is key to a progressive society and culture – a society that is always aware and always questioning the institutions and regimes that are trying to influence, control or oppress us.
“The Secret History of Free Market Capitalism” is based around “The Shock Doctrine”, a book and short film by Naomi Klein & Alfonso Cuaron. Klein is a highly regarded left wing political writer who often engages with topics such as consumerism and globalisation. “The Shock Doctrine” deals with what she describes as “disaster capitalism” – an economic policy of exploiting human suffering (through wars, natural disasters, massacres, coups etc) to implement free market economies on to societies whilst they are in a state of shock – allowing right wing and emphatically capitalist governments to reap the financial benefits. Inevitably, great divides and imbalances between the wealthy and the poor are created, highlighted by fissures of death, violence and suffering. I wanted to promote Klein’s perspectives and criticisms of these policies, as well as the serious issues and largely overlooked facts that she draws attention to.
“The Secret History of Free Market Capitalism” is fundamentally based on the short film version of “The Shock Doctrine” which is highly succinct and straight forward with its presentation of the facts and ideas that Klein discusses. I feel it is important to offer people who may not have any knowledge or prior interest in economics or politics, relatively short, interesting and easy to digest pieces of information which do not patronise the reader, but also do not require a great deal of knowledge on the subject to gain their attention. Politics, education and information are important and should be accessible for everyone – and that is the fundamental intention of “The Shock Doctrine” and therefore “The Secret History of Free Market Capitalism”: to inform, to educate, to create discussion and to create thought.
For the design of the booklet I took influence from newspapers and inexpensive, easily distributed political posters and pamphlets, their “lo-fi” production and cheap printing methods – referencing them through matt paper, headline style display type and images with heavy halftone dots applied. It was also important to reflect the stark, bold and serious nature of the topics discussed in the copy, shown through my choice of the bold, austere condensed typeface, Trade Gothic Condensed No. 20. For copy I chose to use Aksidenz Grotesque regular, complimenting Trade Gothic with its clean neutrality, but also acting as an attractive replacement for the often over-used Helvetica. Trixie, a typeface designed to look like the letters printed by an old typewriter, was also used in small sections of copy which are quotes from CIA interrogation handbooks published during the early 1960s. Horizontal lines are used throughout the spreads of the book as a graphic device to help create structure within the pages, but also to add an element of discomfort and dissonance, in particular on pages 2, 3, 7 and 10 where they collide with the text and do not comply with the grid formatting used on the columns of type. Their vertical placement down the columns of type is also used to allude to missing sections of the CIA manuals the quotes are from, as if there is even more to the story than what is being presented here – hinting back to the secrecy suggested in the title. This device is also used on pages 5 and 4 where the display type scrolls off the top and bottom of the pages, suggesting that the list of torture methods is far longer than what has been shown on the page. The book is essentially split into three sections: the first, between pages 2 and 13 act as the “Set up” of what the book is about, explaining the details, ideas, economic perspectives and theories about free market capitalism. The second section, spreads between pages 14 and 23, act in contrast to the controlled and collected style of the first section, communicating the facts and realities of the disaster that capitalism has exploited with much more vigour and energy. These spreads are designed to be loud and immediately engaging. The final, and shortest section (pages 24-27) is a deliberate and sharp jump from the noise of the spreads that come before, creating a sudden return to silence, emphasising the shocking and harsh content dealt with in the previous section."
Saturday, 13 March 2010
Musical Interlude: King Khan & The Shrines "Welfare Bread" (live at SXSW)
Saturday, 6 March 2010
Ian Mackaye
Friday, 5 March 2010
New Work: Summer Exhibition 2010

Poster, private and general view invitations and signage system for the University of Cumbria Summer Exhibition 2010. This is a live competition brief, and a few people have entered: prize is £100 (i am totally gonna blow it all on stuff i dont need) and obviously they then use your work to promote the exhibition which would be pretty neat. I am pleased with what I've produced, not least because i did it all in one day. So tired now though.
To view the invitations and signage please check out my flickr! (the images are too wide to fit on here unfortunately)























